OS X 10.9.3 breaking Mac Pro graphics card compatibility with critical video editing apps

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Apple’s new expensive line of Mac Pro computers seem to be causing a headache for a tiny fraction of the Mac userbase. According to several professional video editors who have contacted us or posted information to various online forums, the recent OS X 10.9.3 update is breaking compatibility between some Mac Pro graphics cards and video editing applications such as Adobe Premiere Pro and Blackmagic DaVinci Resolve…

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Pixelmator 3.1 brings 16-bit image support for Mac Pro, integrated photo printing and more

Pixelmator 3.1 Marble

Pixelmator have released the latest version of their app today, version 3.1. As usual, it is available exclusively in the Mac App Store for $29.99. Codenamed Marble, this update brings several enhancements to the image editor including specific Mac Pro optimizations such as 16-bit image support.

Primarily, Pixelmator 3.1 optimises for the new Mac Pro’s hardware. Apple has used Pixelmator before to tout the Mac Pro’s performance benefits, and the developers are clearly keen to push this further still.

The “exclusive” support for the new Mac Pro enables the simultaneous use of both GPU’s  for even faster composition and rendering. In fact, the app can compute the autosave data whilst the image is being rendered. This translates to significant speed improvements across the app.

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iFixit teardown praises new Mac Pro for repairability, upgradability

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Following a quick look from Other World Computing last week, iFixit has published its teardown of the new Mac Pro.

Unlike any other Apple product iFixit has reviewed this year, the firm gives high praise to the repairability of the Mac Pro. The system uses no proprietary screws and RAM is accessible without the need for any tools.  Add in the socketed, upgradable CPU originally found in the earlier teardown, the Mac Pro is the most repairable computer in Apple’s lineup by far.

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“Small, fast and in a league of its own” – the early Mac Pro verdicts are in

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Audiovisual professionals may have had a very long wait for a new Mac Pro, and that wait may not be quite over, but from the early hands-on reviews it seems they’re unlikely to be disappointed.

The real performance of the machine is currently only being seen with Final Cut Pro, which Apple optimized to take full advantage of the dual GPUs, but it’s a near certainty that Adobe and others will follow this example.

With a price tag of anything up to $14,000 if you completely max it out, this is not a machine that will be seen gracing too many living-rooms, but for those earning their living from audio and video and where time is money, the early hands-on reviews suggest that the Mac Pro lives up to its promise …  Read more

Final Cut Pro updated to version 10.1, 4K monitoring, Mac Pro optimisations and more

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Alongside the release of the new Mac Pro, Apple has updated Final Cut Pro in the Mac App Store to take advantage of the machine’s immense raw processing power. Specifically, Apple says that playback and rendering has been optimised for the Mac Pro’s dual GPUs.

Final Cut 10.1 also adds 4K support, including monitoring across Thunderbolt 2 and HDMI displays as well as 4K titles, transition and generators. The update also adds a whole slew of other minor features and changes to the modern (if controversial) video editing suite.

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Sketchiest of Apple television rumors suggests 4K 55- & 65-inch screens next year at $1500-2500

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One of the many Apple Television concepts out there (image: theverge.com)

Among the less likely of the many rumors surrounding  Apple’s long-expected move into full televisions is one reported in Bloomberg today, suggesting that Apple will launch 55- and 65-inch 4K televisions in the final quarter of 2014 with pricing in the $1500 to $2500 range.

Masahiko Ishino, an analyst at Advanced Research Japan Co, claims the displays will be made by LG, the GPUs by Samsung and the frameless glass cover made from Corning Gorilla Glass 3, with Foxconn assembling the products …  Read more