Skip to main content

Apple acquires all rights to Severance; showrunners open to spin-offs, prequel, more

Deadline reports that Apple now owns “the IP and all rights” to Severance, and that future plans might include more than just four seasons. Here are the details.

Severance now belongs to Apple Studios

According to the report, Apple paid “just under $70 million” to acquire the IP and all the rights to Severance, effectively bringing the series in-house under Apple Studios.

Previously, the show was produced by Fifth Season, with Apple acting as the distributor. Now, Apple Studios will produce the series in-house, with Fifth Season staying on as an executive producer alongside show creator Dan Erickson.

One of the reasons behind the deal was the financial strain on Fifth Season, since production costs ballooned in Season 2, and the studio faced delays in receiving tax credit payments.

Here’s Deadline:

Severance films in New York where it gets tax credits, though there have been payment delays. While costs were going up and Season 2 was taking longer, borrowing became more expensive, with rates climbing from 1% to 5.5%-6%, making it harder to carry the cost for up to 36 months — the gap between Seasons 1 and 2 — especially when tax rebates are not coming in quickly enough.

The report notes that Fifth Season, “asked Apple TV for advances and help with payments and mulled moving the show from New York to Canada for bigger and quicker tax rebates,” and that Apple TV’s leadership “felt that, from a financial standpoint, if the streamer owned the show, they could bear the burden better.”

Expanding the Severance universe

According to Deadline, although Severance is currently planned for a 4-season run, Ben Stiller and Dan Erickson “are open to the idea of doing more with the Severance universe; possibilities include a prequel, spinoffs and foreign versions.”

This, Deadline notes, could help keep fans engaged during long breaks between seasons and expand the show’s overall profitability: while Season 2 had roughly double the viewership of Season 1, it cost as much as $20 million per episode.

With full control over the show, Apple will now have the opportunity to balance the show’s growth and its cost, as well as recalibrate the business side of the series, including talent compensation and backend deals.

Here’s Deadline:

In 2024, Apple TV became the first streamer to introduce a new, performance-based compensation model for talent on shows produced by Apple Studios that involves bonuses based on a points system whose sizes are based on the number of people who signed up for Apple TV to watch and on viewership vs. cost. The arrangement, a version of which has since been adapted by most other major streamers, introduces a “more risk, more reward” approach akin to the old broadcast syndication model.

Finally, the report notes that while most of the scripts for season 3 are locked, the development process has stretched on for longer than initially planned. This means that although Apple still hopes to start shooting season 3 in the summer, “the targeted filming start will likely have to be pushed another couple of weeks.”

If you’re into the nuts and bolts of TV production, Deadline’s report is well worth a read, as it takes an even deeper dive into the business side of Severance and Apple’s TV initiatives as a whole.

Apple TV is available for $12.99 per month and features hit TV shows and movies like F1 The MoviePluribusSeverance, The StudioThe Morning ShowShrinking and Silo.

Accessory deals on Amazon

FTC: We use income earning auto affiliate links. More.

You’re reading 9to5Mac — experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Don’t know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

Comments

Author

Avatar for Marcus Mendes Marcus Mendes

Marcus Mendes is a Brazilian tech podcaster and journalist who has been closely following Apple since the mid-2000s.

He began covering Apple news in Brazilian media in 2012 and later broadened his focus to the wider tech industry, hosting a daily podcast for seven years.