Adobe has announced the first public access to Premiere Pro native M1 support through a beta version of its Mac video editing software. Premiere Rush and audio editing tool Audition also get native support in new betas for Apple’s M1-powered Macs.
Adobe Premiere Pro Stories December 21, 2020
Adobe Premiere Pro Stories May 21, 2020
Adobe Premiere Pro beta gains Apple Afterburner Card support on Mac Pro
After recently adding native support for ProRes RAW in Adobe Premiere Pro, After Effects and Media Encoder, Adobe has added support for Apple’s Afterburner card in beta builds of Premiere Pro.
As noted by MacRumors, the Apple Afterburner Card will accelerate ProRes 4444 and ProRes 422 video codec decoding in Adobe’s NLE, supplementing other hardware to aid performance. ProRes RAW acceleration is not yet available in the beta.
Adobe Premiere Pro Stories July 2, 2014
Earlier this week, Apple released OS X 10.9.4 with various enhancements and bug fixes for wake-from-sleep and WiFi connectivity. In addition to those fixes, many professional video editors who use Mac Pros are reporting that graphics rendering and performance issues found in the preceding OS X 10.9.3 have been resolved. Graphics card incompatibility issues with 2013 Mac Pros bundled with AMD D700 and D500 graphics engines resulted in videos stalling during the exporting process, pink and green lines appearing in exported video, and various application crashes and freezes with key video production apps like Adobe Premiere Pro and Blackmagic DaVinci Resolve…
Adobe Premiere Pro Stories May 21, 2014
Apple’s new expensive line of Mac Pro computers seem to be causing a headache for a tiny fraction of the Mac userbase. According to several professional video editors who have contacted us or posted information to various online forums, the recent OS X 10.9.3 update is breaking compatibility between some Mac Pro graphics cards and video editing applications such as Adobe Premiere Pro and Blackmagic DaVinci Resolve…
Adobe Premiere Pro Stories October 15, 2012
SNL switches from Final Cut Pro to CS6/Adobe Premiere Pro
Pros are apparently still not happy about the recent overhaul of Final Cut Pro X: Adobe linked us to story from StudioDaily about Saturday Night Live’s Film Unit making the switch from Final Cut to CS6 following the release of Final Cut Pro X:
The turning point, says Epstein, came when Apple released Final Cut Pro X. “We thought, ‘Well, this just isn’t going to work at all.’ So much of what I do is After Effects-specific, so when CS5.5 came along with Dynamic Linking—definitely the killer feature for me thus far—we decided to try that out on a simple piece featuring Kristen Wiig and Will Ferrell toward the end of last season. It went so smoothly that once CS6 came out, we decided to dial the full workflow in and make sure it fit our needs. So far, it really has.”
Adobe Premiere Pro Stories June 21, 2012
Drobo announces 5D and Mini Thunderbolt/USB3 Storage devices with mSATA built-in
I’m not going to lie: I’ve heard enough Drobo horror stories to steer clear of its products for a while now. However, it seems to be doing well with its “Bring your own storage” model, and the products are rated well on Amazon, so the company must be doing something right. Today, Drobo announced a new Thunderbolt product, the 5D, with some serious specs:
Drobo 5D is equipped with dual Thunderbolt ports for daisy chaining. Connect up to six Thunderbolt devices and/or a non-Thunderbolt monitor at the end of the chain. With six Drobo 5D arrays in a chain, you can have up to 96 TB of usable capacity. And, the bi-directional 10 Gbps performance of Thunderbolt allows all devices in the chain to achieve maximum throughput.
Interestingly, the 5D and Mini have a battery backup to safely shutdown the device and an mSATA add-on that purports to increase performance:
Data-Aware Tiering technology, usually reserved for business-class storage solutions, is also available in this desktop Drobo. It intelligently uses the high-performance flash in SSDs to accelerate performance of the storage array, allowing applications such as Adobe Premiere and Apple Aperture fast access to data. To keep capacity of the Drobo at a maximum, the Drobo Accelerator Bay accepts an industry-standard mSATA SSD, leaving all five 3.5” drives bays available for high-capacity HDDs.
If getting the fastest performance possible is your thing, you can also load up every drive bay with SSDs. Drobo gives you the flexibility to choose.
For my money, I much prefer Network Attached Storage, which admittedly moves at a slower 1Gbps. Drobo offers solutions in this area but I am currently using and loving my Synology Diskstation that resides in my closet instead of my desk. It has not been anything but reliable for months (expect a review soon).
Drobo also announced a Drobo Mini Product that holds four 2.5-inch HDDs or SSDs.