Camera ▪ July 16, 2015
Camera ▪ June 5, 2015
Eventually, pocket-sized cameras will compare in low-light performance to today’s large and expensive DSLRs. Although pro photographers will have moved on by then to even more powerful large cameras, the vast majority of people will see no need to carry big, heavy lenses and camera bodies around. The iPhone’s ascendance demonstrates that “eventually” is at least foreseeable, even though it’s not happening in the near term.
Serious photographers won’t be giving up their DSLRs any time soon, and in fact will be toting plenty of camera hardware — many times, along with a laptop — to any event or destination important enough to photograph properly. Over the years, I’ve learned that the “ideal bag” for my personal needs is one that can hold my camera, several lenses, and whichever MacBook I’m using. Having hunted for the ultimate carrying solution for both computer and photo gear, the best solutions I’ve found are made by Incase.
The bag I’ve used actively for the last three years is Incase’s DSLR Sling Pack ($90, above left), and incredibly, it looks virtually identical today to when I first started using it. The DSLR Sling Pack is perfect for 11″ MacBook Airs and 12″ MacBooks, plus a big camera body with three lenses. But since my 13″ MacBook Pro barely fits inside its zippered compartment, I’ve been struggling with whether to replace the bag. That’s why I’m checking out two larger models today: the DSLR Pro Sling Pack ($170, middle), and traditional DSLR Pro Pack ($150, right). They’re large enough for up to 15″ MacBook Pros and have more room for DSLR gear, as well. Which is right for you?…
Camera ▪ April 15, 2015
Glide, the app that lets users send live video messages, today becomes the first to bring the feature to Apple Watch. With an update to Glide’s iOS app, users of Apple Watch will be able to receive live videos messages right on their wrist, although it’s a one-way experience for Apple Watch as the device doesn’t yet include a camera; your responses will be limited to text. expand full story
Camera ▪ April 2, 2015
If you were wondering why Apple has ignored the megapixel race and stuck to a modest 8MP camera in its latest iPhones when almost every other manufacturer is cramming in as many pixels as physically possible, it’s all about image quality. While more pixels allow you to blow up photos to larger sizes, that comes at a cost. Squeezing more pixels into a tiny sensor means more noise, reducing quality, especially in low-light situations like bars and parties.
Camera ▪ March 26, 2015
As I noted in Part 1 of How-To: Decode Apple’s Tech Specs pages before buying a new Mac, Apple has designed the Mac purchasing process to be easy: pick a model, pick the good, better, or best configuration, hand over your cash, and enjoy your computer. Since most people get confused by tech specs — bullet points filled with numbers and acronyms — Apple downplays them in its marketing materials, leaving customers to sort through the details and figure out what most of them mean.
But these specs are really important when you’re shopping for the right Mac for your current and future needs. So I’ve created this How-To guide to walk you through each of Apple’s Tech Specs pages using clear explanations, hopefully enabling you to properly understand what you’re about to buy. Part 1 focused on the “big 5″ Mac specs you really need to know about, and this Part 2 looks at the rest — generally things that remain the same in a given model, regardless of the configuration you choose…
Camera ▪ March 19, 2015
As a photographer, I’ve been thrilled to see iPhones become compelling replacements for standalone point-and-shoot cameras. Our world has improved in both measurable and immeasurable ways from widespread, immediate access to quality photography; the images documenting our lives are more compelling and numerous than ever before.
But professional photographers toting DSLRs now struggle to stand out from amateurs with iPhones. The Chicago Sun-Times infamously fired its entire photography department in favor of using images from iPhones and wire services, a move mocked by other newspapers but embraced by some broadcast journalists. Fixed-lens, small-sensor iPhones can’t match standalone cameras in image quality, particularly in dark settings, but they’re hard to beat in speed and convenience.
The question is how to combine the immediacy of iPhone photography with the quality offered by superior cameras. For me, the answer has been Eyefi‘s SD cards, which wirelessly transfer a standalone camera’s photos to an iPhone or iPad for rapid editing and sharing. (See my How-To on transferring, editing, and sharing DSLR/point-and-shoot photos with an iPhone or iPad for more details.)
Eyefi’s first $100 card contained 2GB of flash memory and a Wi-Fi chip; since then, every Eyefi card has improved on the same concept, so the brand-new 32GB Mobi Pro ($100) isn’t so much a surprise as the culmination of everything the company has done before. It has the highest storage capacity, broadest file support, and easiest workflow of any Eyefi card I’ve tested. Most importantly, it brings a more durable enclosure that I wouldn’t hesitate to recommend to any potential reader, originally introduced in Eyefi’s more affordable non-Pro Mobi cards. Read on for all the details…