Final Cut Pro X

Final Cut Pro X has been used for everything from ads to Hollywood movies, but the software didn’t get the easiest of rides from the industry when Apple first launched the radically-different version of the app.

Now a film editor who has used FCP X for six independent feature films has decided it’s time that the software itself took centre stage, with a documentary about its controversial introduction and journey to two million users …

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If you find yourself hanging out for a while at a scenic spot, creating a timelapse video can be a great way to share the experience with friends.

The iPhone, of course, has a built-in timelapse feature – and a very clever one it is too. So if you want to use your iPhone or iPad to shoot, you’re good to go. But if you want to use another camera, Final Cut Pro X makes it a really simple process to create a timelapse video, regardless of whether you’re working from video footage or still photos.

I had been holding out on this one hoping for better weather for the demo video, but as the weather gods aren’t cooperating, we’ll go with what I’ve got …

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If you’re looking to build a Hackintosh that can serve as a competent Windows gaming rig on the side, then a build powered by an Nvidia GPU is a good choice. In our most recent Hackintosh build, we paired an Intel i7 6700k with Nvidia’s fastest gaming GPU, the 1080 Ti.

The results weren’t all that surprising. Performance was good in a macOS environment even when using Nvidia’s beta web drivers. Performance was a lot better, though, in a Windows environment, where Pascal GPUs can really thrive.

If you’re interested in building a Hackintosh solely for video editing, however, then an Nvidia-powered GPU option might not be the best choice. Sure, Nvidia GPUs with their CUDA cores are generally superior for editing in an Adobe workflow, but if you’re building a Hackintosh machine solely for video editing, chances are you’re interested in running Final Cut Pro X.

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If you’d like to add tracked text to Final Cut Pro X, there are many ways to go about doing so. For instance, I used to faux-track objects manually by using keyframes. Needless to say that was quite the tedious endeavor.

Tracking text is easier and much more accurate when using a plugin like MotionVFX’s mCallouts, which is powered by the excellent Mocha Tracking Technology from Imagineer Systems.

There are several packages in the mCallouts series, but each of them contain a heaping helping of callout styles that you can use to add tracked text to the objects in your Final Cut Pro X projects. In this brief hands-on video walkthrough, I’ll show you just how easy it is.
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Apple has announced that it now has two million Final Cut Pro X users – or ‘seats,’ in the terminology used when speaking to an audience at the National Association of Broadcasters’ annual conference.

Apple said that it hit the milestone some five and a half years after launching version 10 of the professional video editing app. Notably, it said that the pace of adoption was increasing. While the company didn’t provide specific dates, it said that it had taken much less time to grow from 1M to 2M users than it had taken to hit that first million.

The milestone is significant given initial reactions to the app …

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I mentioned in my previous Final Cut Pro Diary piece that I attended one of Apple’s free workshops, Final Cut Pro for Storytellers. There was a lot to take in, and as a complete beginner at the time, I knew I’d only really remember some percentage of it.

As the tutor had been really helpful in answering individual questions as well as covering the syllabus of the course, and I was keen to understand how to adjust exposure and boost saturation, I figured that repeating the workshop would be a good plan. This would allow me to get some one-to-one help with my specific questions, while also getting to grips with more of the core material.

As it turned out, that plan worked really well, and is one I’d recommend to any Final Cut Pro novice …

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I’ve been a photographer since I was 14, but am very much a novice when it comes to video. I’ve used bicycle-mounted action cams to put together some basic cycling videos, but these were nothing more sophisticated than taking clips straight from the camera, importing them into iMovie and adding cross-dissolves.

In an age when tech writers are increasingly expected to be videographers too, I decided it was time to take the plunge into the world of moving images. Although iMovie is a remarkably capable piece of software, I reckoned I was inevitably going to want to take the step up to Final Cut Pro at some stage, so I might as well make the transition now, rather than have to learn everything twice.

If you’re also a basic iMovie user with ambitions of getting to grips with more professional video production, you may enjoy sharing the journey with me. And if you’re an accomplished FCP X user, I’m sure that I and others in my position would love to hear your top tips …

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Following significant updates to its GarageBand and Logic Pro X tools, Apple this evening has released updates to its Final Cut Pro, Motion, and Compressor editing apps. Each update includes its own set of changes, including bug fixes, performance improvements, and more…

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If you’ve ever tried to store a Final Cut Pro X library on an external hard drive connected to your local network, or via an actual NAS from a company like Synology, then you’ve likely been greeted with an unsupported volume type error. This error is there to let you know that you must store a library on a local, SAN, or supported SMB location.

However, it is possible to save a library on a NAS by properly wielding a disk image created via the macOS Disk Utility. Depending on your local setup and network speed, it could make a viable network storage option for your Final Cut Pro X libraries. Have a look at our hands-on video walkthrough to see how it works, and learn about this method’s pluses and minuses.
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Back in April of 2011, Final Cut Pro X was previewed at the Los Angeles Creative Pro User Group meeting, or LAFCUG, which occurred during NAB2011. This preview happened several months prior to the official debut of Final Cut Pro X later that summer, which was a drastic departure from the previous Final Cut Pro 7.

Final Cut Pro X has evolved immensely since its debut release, reacquiring many of the features that were dropped from Final Cut Pro 7, and adding a ton of additional features along the way. The latest version of the app, version 10.3, is arguably the biggest update of the software since its debut.

During a November, 2016 LAFCUG meeting, just after the announcement and subsequent release of Final Cut Pro 10.3, Apple representatives demonstrated the latest version of the video editing software in a much more in-depth fashion than what we saw on stage during the product’s October release in Cupertino.
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Final Cut Pro X 10.3 was released on Thursday, and although I haven’t had much time to play with it, it’s immediately apparent that this is a huge update. In fact, I think Apple did itself a disservice by labeling this a dot release instead of just calling it Final Cut Pro version 11.0.

The addition of Touch Bar support for the new MacBook Pros was the headlining feature of Thursday’s announcement, but it’s all of the other enhancements that make Final Cut Pro X 10.3 the most noteworthy upgrade to Apple’s trackless NLE since the original release over five years ago.

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After accidentally leaking the existence of Final Cut Pro 10.3 on its trial website, Apple has officially unveiled the updated release at today’s Hello, Again MacBook Pro keynote. The update, which will available to download today on the Mac App Store, adds support for the Touch Bar in the just-announced 13″ and 15″ MacBook Pro. The update also brings refinements to the app’s revolutionary Magic Timeline.
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It’s been months since Apple’s pro video app Final Cut Pro X received an update, but if the trial version is anything to go by, then an update may be right around the corner.
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Since the 12″ MacBook is significantly limited when it comes to attaching external peripherals, I generally do all of my editing work in Final Cut Pro X with events stored directly on device. Being that I shoot 99% of our videos in 4K, you can probably imagine how quickly my MacBook’s storage is exhausted.

Needless to say, I’ve become accustomed to archiving events on a bi-weekly basis to save on space. In this hands-on tutorial, I’ll share my easy-to-use workflow for archiving Final Cut Pro X events and media to an external drive.
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I’ve been using Final Cut Pro X on a regular basis since it debuted back in June of 2011. With five years under my belt, I feel pretty comfortable navigating around the interface, utilizing custom keyboard shortcuts, and all of the other benefits that come with being intimately familiar with a piece of software.

If you’ve read any of my previous posts about Final Cut Pro X, you’ve probably concluded that I have a strong affinity for the app, despite some of the hate that it receives.

I’m also someone who likes to recommend Final Cut Pro X to new editors. I think that it’s easier to grasp and much more friendlier to work with on a Mac than competing apps like Adobe Premiere Pro.

So when EditorsKeys, a company that produces a keyboard specifically designed for Final Cut Pro X, asked me to do a review, I was intrigued.
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I love my 2016 MacBook for a variety of reasons, but there are still some areas where its Core M processor struggles to keep up. When it comes to exporting 4K video, the MacBook shines due to Intel Quick Sync Video hardware encoding. Editing 4K video, however, is much more taxing on the MacBook, especially when employing various effects and color correction.

Thankfully, Final Cut Pro X has built-in features that allow users to edit 4K video on even the most anemic of systems. In this post, we’ll show you how to leverage proxy media in order to successfully edit video on an underpowered Mac.
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As someone who regularly does voiceover work and records podcasts, I need a setup that allows me to easily record on a whim. Any modern Mac could work for this setup, but I’m especially fond of the 12″ MacBook with its USB-C port. That single port, which handles data transfer, power, and display output, helps to simplify my configuration because all it requires is one cable to get started.

In this post, I’d like to share with you my setup for voiceovers and podcasting. What you’ll find is a rig that’s extremely easy to use and happens to look decent as well.
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VideoTweet is a new utility from the folks over at Arctic Whiteness that brings Twitter sharing to Final Cut Pro X. Appearing as a destination within Final Cut Pro X’s export options, it’s a quick way to get video from a project to your Twitter followers.
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